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Modern & Miscellaneous Authors - O
HABÁNAME (Havana [Verb Transitive] Me) by Ana Ortiz
Recommended by: Valkyrie - 04.27.02
Classification: OF (Modern)/Uber
Sex/Violence Content: Alt
Length: Incomplete
There’s a lot of fanfiction that reads much like a soap opera watches. You can quickly scan entire paragraphs and not miss much if you don’t read every word, just like you can miss a week or two of a soap opera and not lose a bit of the storyline. Not so with Ana Ortiz’s “Habáname.” Every word and every sentence of this story counts, revealing richness, depth and beauty to unique characters while unveiling an intriguing plot. If you blink, you’ll miss something special. My advice: don’t blink, and catch every word of this story if you’re looking for an extremely well written piece of fiction that reads quite differently from most stories in the Xenaverse. This is truly “original fiction.”
A short summary can’t really do justice to the plot, but here’s a stab at it: Dr. Barbara Murphy travels to Cuba to assist the Cuban Health Ministry track down the puzzling cause of blindness suddenly afflicting thousands of Cubans. With new cases occurring every day, the urgency of Barbara’s mission is never far from the reader’s mind, and it adds a layer of compelling mystery to the story.
Chela Stevens is an intellectually starved Havana native who, like many others in similar situations, is forced to support her family through prostitution. Through a rather convoluted, yet believable, set of circumstances, Chela winds up as a translator/assistant on Barbara’s investigative medical team. As might be expected, sparks eventually fly between the two, but so do tempers, cross-cultural misunderstandings, and personality differences.
It’s wonderful to watch the miscommunication Ortiz sets up between two eloquent, bi-lingual individuals. Set against the backdrop of modern Cuban, she also does a marvelous job of bringing that country, with all its culture, history, trials and struggles, to life. Perhaps most impressive is her characterization of Barbara and Chela, both of whom are so skillfully portrayed that, just like real people, you sometimes love them, sometimes get angry with them, and always appreciate getting to know them a little bit better as the story progresses.
To provide a sample of Ortiz’ prose: “As she squeezed the cut digit, allowing the liquid to drop in a series of fat red tears upon the stone head, Chela prayed in a tongue that she knew only phonetically and in its effects, the specific meanings of the words lost to the members of her generation. ‘Laroye akiloye aguro tente onú apagurá akama sesé areletuse abamula omubatá okóloñiñi toni kan ofó omoró agun oyomna alayiki agó.’ She paused to consider what petition to make. I am tired of just asking for the minimum, for some luck, for a little money. She drew her breath in. ‘Open the doors, Elegba. Open them wide. Bring it all. Bring my fate.’ Then she stepped into the evening.”
I say, “Open the book, reader. Open it wide. Read it all.” And enjoy an evening with “Habáname.”
http://www.ausxip.com/fanfic19/habaname1.html
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